College student Ella is completely focused on her ambiguously romantic relationship with her dorm-mate, Chris. She is so consumed by trying to understand his behavior that she's neglecting the screenplay she is supposed to write in order to graduate. When she does sit down to work on the script, her increasingly awkward social life bleeds onto the page and her work begins to express her true feelings about her own situation.

The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years. Since 1987 this complete version has only been available for viewing at a select few institutions (the Library for the Performing Arts at Lincoln Center in New York City and the Smithsonian). In 2008 the first three parts of Dehn's work, totaling two hours, were remastered and released on DVD by Dancetime Publications.

碧昂丝柯契拉(Coachella)音乐节纪录片[归家：碧昂丝作品](Homecoming: A Film By Beyoncé，暂译)首曝繁体中字预告！该片将记录碧昂丝在柯契拉(Coachella)音乐节的台前幕后。影片将于4月17日登陆Netflix

When a popular crime film director gets kidnapped, he realizes the plot is thicker than his own films.

Every generation has its own entry and exit. They have their own crisis and celebrations. This is an attempt to bring and connect the dotted lines between the generations. The collectively carefree voyage of everyone's day is "Sunday."

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Rock documentary with excellent production values, 29 July 2006 　　Author: Chris_Docker from Scotland, United Kingdom 　　The film kicks off with a quote from Nirvana's Kurt Cobain, about his famous song, Smells Like Teen Spirit: "I was basically trying to rip off the Pixies." As a tribute documentary, loudQUIETloud goes on to explore the Pixies strange career and provide some clues to why they have been so influential. 　　The Pixies established themselves musically with deep contrasts, not just in volume (as the title suggests) but by combining many strange elements, melodic and abrasive, and cryptic lyrics - they are almost like a David Lynch rock experience (one of their songs is a cover from a song in Lynch's early Eraserhead). What made them extraordinary is that they disbanded just as they approached critical acclaim (within six years) and didn't reap the benefits of their popularity until they re-formed nearly twelve years later - at which point this movie begins. 　　Tickets for their 2004 reunion tour sold out in four minutes, but the band members are no longer young. As the film develops we see some have families with small children, but they all have outside interests, musical or otherwise, and 'being the Pixies' is hardly something they identify with beyond a sense of responsibility to make sure the live performances go well. The detachment is so great that a struggling interviewer, asking an innocuous question about whether they will make another album, is nonplussed that the band really haven't considered the question one way or the other. 　　Lead singer Frank Black ('Black Francis') is a bulky, almost intimidating figure with a shaven head, so it's something of a revelation to see him doing positive affirmations before bed, telling himself, "I am a nice person, people like me . . ." Bassist Kim Deal looks with surprise at the blisters on her fingers after the first concert - Frank reassures her they'll get better in about a week. Both of them continue working on their own material while on tour, Kim for the Breeders and Frank on his solo work. The band seem to accept that it is not in their natures to talk to each other much, even when they are getting on fine, but they seem more mature than the days of early acrimony where one or the other would unilaterally make public announcements of the band's imminent break-up. 　　The sound and camera-work throughout is first rate, so if you like the Pixies even a little bit, this is a rare opportunity to experience them at their best. For those who have never heard of them, you might recall the song, 'Where Is My Mind?' as the exit music to the film Fight Club, or sections from their records 'Gigantic' and 'Hang Wire in the United States of Leland. For fans, the song listing taken from the credits includes: Where is My Mind, Hey, Here Comes Your Man, U-Mass, Caribou, Gouge Away, Nimrod's Son, In Heaven, Wave of Mutilation, Something Against You, Bone Machine, Cactus, Vamos, Monkey Gone to Heaven and also the Breeders song Iris.

A fascinating behind-the-scenes special about Steven Spielberg's "The Fabelmans."

A psychotherapist helps a law student cope with schizophrenia in one of five interconnected tales dealing with mental illness.

The life story of the film director, movie star and industry figure who furthered the cause of cinema: Lord Richard Attenborough.